A conserved arrangement of ancient Egyptian sarcophagus and mummy masks, including a gilded cartonnage death mask, and Greco-Roman funerary portraits from the Abele Coin and Antique Exchange archive
PROVENANCE & PEDIGREE

Every Piece Has a Story Before Us

Most of what we sell needs nothing more than an honest attribution and a fair price. A portion of our inventory carries something rarer: its own paper trail, a 19th century collector's ticket, a Cairo dealer's certificate from 1922, a photograph from an auction held decades before any of us were born. We keep and share that history for a simple reason: once it's separated from the object, it's gone for good, and we're not willing to be the ones who lose it.

Every piece we sell is vetted in line with U.S. cultural property law, including the Convention on Cultural Property Implementation Act (19 U.S.C. Chapter 14, §2601 et seq.), and guaranteed as described, or your money back.

Provenance is simply the story of where a piece has been: whose hands it passed through, which sale it appeared in, how we know. Every old ticket, catalogue photograph, or dealer's note we keep with a piece is a small act of preservation, the kind of history that would otherwise vanish the next time the object changed hands without it.

There's a practical side too: a documented history supports clear legal title under U.S. cultural property law, and tends to make a piece more desirable down the line. But that's the reassurance, not the reason. The real reason is that a coin or a statuette with its story still attached is simply a more interesting thing to own than one without it.

Below, you can trace a few pieces from our own archive back through the decades, in some cases all the way to the auction house or collector's cabinet they passed through generations before we ever saw them. We're not claiming every piece we sell comes with this kind of paper trail (most don't), but when one does, we make sure you see it.

A Coin Through Time

The same ancient coin, photographed today and photographed decades ago in the auction catalogues that once sold it. When a piece has this kind of paper trail, we show you both sides of it.

Faustina the Younger: A Paduan Medal

From a European collection formed in the 1860s. The original ticket, in the collector's own hand, reads “Faustina Junior, moglie di Antonino” (wife of Antoninus), and still travels with the piece today.
Descriptive Leaflet, 18551885 descriptive leaflet, transcription, and the Trajan bronze it describes

Trajan, 14th Emperor of Rome. AE (1st Bronze), A.D. 98 to 117

Registered as Descriptive Leaflet No. 1855 by the American Association of Numismatists, 141 years old, and still legible enough for us to transcribe line by line (shown alongside the original). Owner of record Uzal H. Morris noted the piece “found in the Holy Land” and passed it to James W. Beall on July 16, 1885. It's the oldest paper in our archive.

Egypt, Middle Kingdom, Dynasty XII. Wooden Figure of a Woman, ca. 1930 BC

Sold with a Certificate for Guarantee from Ismail Abdallah El Shaer, a licensed dealer in genuine Egyptian antiquities (License No. 1, by permission of the Egyptian Museum, Cairo), dated March 16, 1922, and made out to a Mr. Clifford Charles of Lawrence, Massachusetts. Currently part of our collection.

Roman Imperial. AV Aureus, double portrait issue

Ex Hess Nachf., A., Auktion 211, Slgn. Frederick A. Walters, Esq. F.S.A. and Percy H. Webb, Esq., M.B.E., Frankfurt a.M. (May 9, 1932), lot 422.

Roman. Marble Fragment of Venus

The original ticket reads simply: “Ancient Roman Marble fragment of Venus. Acquired in Greece 1934.” No auction, no dealer, just a collector's own note from over ninety years ago, still kept with the piece.

Sicily, Messana. AR Tetradrachm, charioteer & hare

Ex Auctiones A.G., Auktion 12 (September 29 to 30, 1981), lot 39.

Roman Republican. AR Denarius, clasped hands reverse, moneyer Albinus Bruti

Kunst und Münzen, Listino 47, December 1981, lot 358.

From the Archive

The unglamorous part of provenance: cabinets of ticketed coins, handwritten inventory slips, and the small paper trail that lets us reconstruct where a piece has been.

A 19th Century Sicilian Collection

A tray of ancient Sicilian bronze and silver coins
Coins in their original cloth pouches The 19th-century Italian newspaper the coins were found wrapped in
1860s to 1900s

This group of Sicilian bronze and silver issues came to us exactly as its original owner had left it: individual coins tucked into paper flips, the whole group wrapped in a page of La Consolata, a Turin religious monthly, itself over a century old.

Nothing here has been cleaned up or repackaged for effect. It's a small, honest window into how a 19th century Italian collector actually stored and organized a cabinet, and it's the kind of context that, once broken up and sold, can never be recreated.

Pedigreed Pieces We've Sold

Not every provenanced coin comes with an auction catalogue; sometimes it's just a coin, still resting on the handwritten ticket a collector gave it generations ago.

Bronze coin with its old ticket, reading Stella di mare
“Stella di mare”
Old Collection Ticket
Bronze coin with its old ticket, reading Testa M.
“Testa M.”
Old Collection Ticket
Silver denarius of Commodus with its old ticket
“Commodo”
Commodus · AR Denarius